I was Practising Flying (R16)


when I suddenly forgot to flap my arms sufficiently vigorously and finished up at the bottom of a flight of stairs with what turned out to be two broken ribs. They were somewhat painful. In hospital in the middle of the night, after oral morphine had settled me down a good deal, I was suddenly […]

The New Age (1907 – 1922) (R15)


For some years I’ve had on my ‘To Read’ shelves a book called ‘The New Age under Orage’ by Wallace Martin (Manchester University Press 1967). I bought it because of AR Orage’s connection with Gurdjieff and thought it might throw some light on another who, like Maurice Nicoll – mentioned briefly in the book – […]

GHOSTS IN MIRRORS (R16)


In July 2018 I was given the task of reviewing Cor van den Heuvel’s Selected Haiku. He is regarded as a significant figure in haiku circles. In his Afterword I learned that he was much influenced by Alain Robbe-Grillet’s work which propelled me into re-reading the novels with this in mind starting with Jealousy. This […]

HAIKU SYNCHRONICITY (R11)


I was on a train to London the other day. Sitting opposite & next to me were a couple of blokes on their way to Twickenham to watch a rugby match. When they’d run out of their own conversation about things happening in the construction industry, the more obviously affable of the two turned to […]

Haiku and Well-being (R13+)


Writing Proper Haiku Affects the Way You Are in the World In their Mutative Metaphors in Psychotherapy (1994), Cox & Theilgaard offer brilliant insights into the way that conventional poetry can be used to stimulate the seamless progress of formally therapeutic interventions; they describe how very skilled operators can use poetry & drama in their […]

One Hundred Haiku (August 2014 – February 2015)


sometimes wishing that God was real – this temple to the spirit (St Peter’s Colchester) * the light through the arched window green as the tree outside * digging deep to find the roots of summer bonfires * thrice starting to tell his life story – three times they return to theirs * four ceramic […]