There’s something about the preservation of old notebooks…
I wonder what’s to be gained from keeping a notebook?
My friend Paul Hickey prompted me to hunt through some old notebooks to find a picture I remember preserving there; it’s a page from a book I used to read my kids in the 1960’s ‒ a 1930’s depiction of a street by St Paul’s I once knew very well. There’s a nice eerie emptiness about it. The building will have been destroyed in the blitz. The picture feels to me to depict a vanished world, a kind of stillness I wish were possible now instead of this brash, loud-mouthed and stupid New World.
I suppose it is an illusion – this stillness – says more about me than what then constituted ‘Reality’…
On the opposite page in the notebook there’s a fanciful poem I wrote (1971) when I carefully preserved the page from a child’s reader.
I am not of this time
‒ I should have died fifty years ago;
some fault there was in my birth-time: this scene
from a child’s picture book convinces me (though
there may have been several other indications)
I am content with dingy inefficient lighting;
with incredibly slow box-shape cars;
with stars and moon that never seem to move;
with steam trains winding down inefficient sidelines
(Reading to Redhill under Box Hill for example)
‒ an empty railway platform at Adlestrop…
if I had died with Owen & Butterworth
I’d at least have had the chance of hearing Mahler
& early Schoenberg Debussy ‒
maybe I’d have contrived to meet Charles Ives
and you might have lived in Ancient Greece
listening to Pericles wandered in a green grove
disguised as a boy talking with Socrates;
our paths would not have crossed
unless some transparent timeslip
had so confused the lines of time
as to have sent us cycling down the same
Edwardian lanes to a cream tea
in a Cotswold village around the end
of the first decade of the century
but if I’d died fifty years ago
the children to whom I read this book
would not have existed…
With all the world in an empty turmoil on a Summer Sunday morning in 2016, I turn the pages of the notebook haphazardly. Rambling back there, 45 years ago, I enjoy the feeling of escape. Talking of escape…
Stuck on another page, here’s my National Service Enlistment Notice! What memories! I suppose that many young lads 60 years ago might have regarded the experience of National Service not as an escape but as imprisonment. Not I! It was a significant turning point in my life; it’s only relatively recently that I’ve come to appreciate how much of a turning point it really was. The whole experience converted me to pacifism for a start. Detached suddenly from life in a London suburb, I entered this remote bubble in time as I enter it as a different bubble from a different age now; its curious events are still lively within me. How easy it is to make all the past live again!
Here’s the poem on the opposite page in my notebook:-
because I lacked conscientiousness
I made no objection ‒
when The Big Day came I waved to my mother
outside Mrs Lewis’s exactly where
I watched my father wave to her
fifteen years before when he went off to Real War
he’d made me an item for shaving (mirror fixed
in a carefully-hinged wooden frame) that I never used
Commander Crabb was dead ‒ the newspapers
contained inquests on the event;
I didn’t know what to say to my father
who took my departure very seriously
having a sort of pride in his unappreciative son:
I wondered if he too was thinking of that earlier time
I was in a state of dream; my train-reading
was HGWells’ Short History of the World ‒
it seemed relevant… seemed to place
my little shattered heroism in a short perspective
before long the entire railway system seemed
full of soldiers coming & going
joining up being demobbed
one group laughed uproariously
when I told them I was just joining up ‒
I supposed they’d nearly finished
at Victorian-built Fulwood Barracks north of Preston
I lost my old self making my way
into a new world put on fresh clothes
staggered across a parade ground
that afternoon with a great weight in my new kitbag
The reference to Commander Crabb is interesting. He was a British Royal Navy frogman and MI6 diver who vanished during a reconnaissance mission around a Soviet cruiser berthed at Portsmouth. He was presumed dead on 19th April 1956.
There were various speculations as to the reasons for his disappearance: that he’d been killed by some secret Soviet underwater weapon; that he had been captured and imprisoned in Lefortovo prison with prison number 147, that he had been brainwashed to work for the Soviet Union to train their frogman teams; that he had defected and became a commander in the Soviet Navy; that he was in the Soviet Special Task Underwater Operational Command in the Black Sea Fleet; or that MI6 had asked him to defect so he could become a double agent.
Did his image (my awareness of it in 1971) appear in the poem as an ironical possible direction for my army career? Now it simply reminds me that people appear and disappear, fading from the collective memory ‒ as though they had never existed though at the time speculation was all the rage and their being was firmly planted in the imagination. Thus the media (who really couldn’t care less) stir things in the False Imagination. What Gurdjieff calls ‘The News of the Day’…
Around the time of this notebook (1971) my daughter Ruth was 3…
…and I was three years into teaching. Here’s a rather strange poem that starts with something a kid said to me as a protest but goes off into what seem now like random ruminations. Perhaps I was just ‘writing everything down’ as an ironic response. Now I’m very glad I wrote everything down!
why do we have to write everything down?
why can’t we just learn?
OVERLAP WITH what Auden said:
how do I know what I mean
till I see what I’ve written?
the old man in the depth of a clock
kettle spurt spent match
transistor turmoil bursts upon
fluted further world
with aged anger
the best ruse is offhandedness;
head off compulsive noises meant
to fill the gap between generations
CLOCK continues as it has since 1918
when he finished the war;
the old men of the tribe ‒
how much do they know?
they effect to know so much ‒
they fill the gap with rage
At Kingston Grammar School, for homework. we used to have to translate little sentences from Hillard & Botting. They often concerned an odd figure ‘Cotta’; we had no idea who or what he was ‒ during their eccentric, planless, lessons the eccentric masters made no attempt to tell us so that the sentences we struggled with remained totally abstract & remote. Cotta dux fuit copiarum Romanarum.
Now, by employing the amazing services of Wikipedia, sixty years after it might have been of real interest, I now remedy the lack in my adolescent education. It seems that:-
Lucius Aurunculeius Cotta (died 54 BC) was an officer in the Gallic army of Gaius Julius Caesar. The little we know of Cotta is found in Book V of Caesar’s De Bello Gallico. In 54 BC, when Caesar returned from his second expedition to Britain, he found food in short supply so he distributed his eight legions amongst a larger number of Gallic states from which to draw sustenance during the winter. To the eighth legion, which had recently been raised from across the Po he added another five cohorts. In command of this legion and the other cohorts, he put Quintus Titurius Sabinus and Lucius Aurunculeius Cotta. These two were appointed Legati (Lieutenant-Generals)…
The troops of Sabinus and Cotta were sent by Caesar into the country of the Eburones, in Belgica, most of which lies between the Meuse and the Rhine where they set up Fort Aduatuca in which to winter. The Eburones tribe was under the rule of Ambiorix and Catuvolcus. These two, instigated by the Treveri, collected their men and after a fortnight, fell on a detachment of Romans who were collecting wood. The marauding Eburones went on to assault the Roman Fort. The Roman infantry mounted the ramparts and despatched a squadron of Spanish horse which, falling on the flank of the enemy, routed them in that engagement… Caesar [later] notes that Sabinus lost his mind, running from cohort to cohort and issuing ineffectual orders. Cotta, by contrast, kept calm and did his duty as a commander, in action his duty as a soldier…
What a splendid man was Cotta as compared with the feeble Sabinus lost in history! Cotta, the dynamic, devoted to the airy abstraction Duty. And all this was kept secret from us…
I remember Cotta
under the summer apple tree of youth:
Cotta an athletic guy
leaping from exercise to exercise
in Hillard & Rotting
with his death defying exploits
Cotta will attack the Belgians
Cotta pugnabit Belgas
Cotta has attacked the Belgians
Cotta Belgas pugnavit
(we will attack Cotta
if he gets stroppy)
Cotta had attacked the Belgians ‒
pity the poor Belgians:
whose Highway 13
had they been traipsing on?
the Belgians love their country
Belgae patriam amant ‒
how my memory serves me ‒
the Belgians attacked Cotta (hoorah!)
Cotta had reported the battle
(Cotta pugnam nuntiaverat)
they will attack the Vietcong
they have attacked the Vietcong
they had attacked the Vietcong
the Vietcong will not lay down & die
(Vietcongi patriam amant)
and who will report their victory?
one difficult to decline or conjugate:
survival of indiscriminate napalming
of Highway 13 limitless defoliation;
what isn’t destroyed in a VC offensive
gets laid waste in a counter-attack
neat & tidy ‒ but how do you
define ‘victory’ ‒ who reported
the victories of Cotta?
Cotta mortuus est (O Cotta!)
Highway 13 runs from Ho Chi Minh City (Saigon) via Lai Khe and An Loc into Cambodia…
There is a yard or so of notebooks on the shelf behind me… They mean a great deal to me… Why?
What do they mean?
Why do I keep a notebook as a matter of habit? I suppose I had always intended that they would form the basis of future writing.
27 thoughts on “OLD NOTEBOOKS (R11)”
How very moving. What will future writings make of the turmoils of today I wonder!!!
It is an observation that most artists keep notebooks, no matter what type of artists they are.
I am envious of your notebook keeping and regret that I never did –
My memory of quite important events is smudgy, how wonderful to have notebooks to look back upon and be able to see ones altered path leap out from between the lines. And suddenly to be able to breathe life into events one might otherwise have assumed to have been forgotten. I wonder how these memories are changed in retrospect, as surely they must be since memory is so selective.
Thank you so much for sharing your notebook’s contents and your reflections with us.
It is amusing to notice that evidently Colin has always been Colin, even though from time to time he is otherwise.
Concrete proof perhaps of a core self?
Definitely a fascination with how this is related to that etc;
It strikes me that the visual imagery might have provoked a poem, a way of making words of something seen and felt and then I wondered whether the process might have been the other way round, that something felt sought out the image in order to facilitate the release of the words.and so make meaning (other than consciously seeking/noticing /making connections etc. as per Jungs view of synchronicity).
Just rambling ruminations – But thank you all the same.
I’m thankful you wrote everything down too – I think the physical act of writing makes thoughts more concrete just as saying words out loud gives them a physical presense, that wouldn’t otherwise exist; it anchors them somehow out of a persons mind/heart/gut into form.
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Yes, the Core Self does come out.There are so many specific times in the past that I can associate into and feel my being-self back there as though it were this moment NOW. I take this to be evidence that there is an unchanging Essence. One of the aims of Enneagram studies is to figure out just what this might be.
Usually in 1971 it was the visuals that led me to a pome. While writing this Glob it was the case that I perceived the connections between what I wrote in 1971 which were not necessarily uppermost at the time. Interestingly here I deliberately sought other images as a result of the writing – St Paul’s in the Blitz, the title page of Hillard & Rotting, the quad in KGS, Vietnam images etc. All amazingly obtainable on the Internet.
The key to all this is the bit in the Sir! poem: ‘…how do I know what I mean / till I see what I’ve written?…’
Ever since I read IMLHunter on ‘Memory’ (Pelican), probably around 1965, I’ve peddled the idea that there’s no such thing. He says, quite rightly in my view, that we should think of it as a verb not a noun (or abstraction) – remembering, a reconstructive process. I take it for granted that in reconstructing what we imagine happened to us we put a current frame on it. Having said which, going back down the time-line, I’m pretty certain-sure that there are certain events I can associate into for real – the words then distort.
Thanks for your rambling ruminations, Pat!
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Yes absolutely – rememberings – a reconstructive process.
I must remember to remember that!
Yes I did understand about the Sir pome. But then I think there is both (at least both) verbal understanding i.e. being aware that one understands and other types of understanding which happens in an other than conscious way; outside of our awareness – a felt sense of something if you like, still in my book a level of understanding.
Just a thought (perhaps). x
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Realising that one has understood on an other than conscious non-verbal level is usually retrospective experience, when one realses that behaviour has changed in a particular context without any deliberate attempt to change it? Maybe?
I wonder if when one’s ‘in flow’ as I think I often was when I set myself to write ‘a hundred words a day’ in those very early notebook entries, what keeps you there is some ‘understanding’ that works in an other-than-conscious way. Deliberate efforts to understand have a deliberateness that gets in the way…
Yes I think that’s right . I think of it as understanding by osmosis
Lovely Colin. There is an intimacy to this notebook thing, a sort of traveling that runs through us perhaps. My old notebooks are full of scribbles, old essays, and my first attempts at writing poems. It’s my hand writing that is recognizable, so I must have been there. Most of these notebooks are covered in dust placed in boxes with markings that say, Patrick’s old notebooks. Most of the time they just sit there collecting more dust. And then suddenly I will open one up and sit with it.
Sometimes I am surprised at the mind that was at work, surprised at the things I wrote about Plato and others who at that time felt like great bolts of light. This intimacy is like a long conversation, a romance of sorts, dare I say something other than an intellectual edifice to reflect on, as much physical as mental. Each notebook is a long walk by the river, with just as many bends as there are shallows of cool stops for resting.
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“There is an intimacy in this notebook thing…………
This intimacy is like a long conversation, a romance of sorts,………..
Each notebook is a long walk by the river, with just as many bends as there are shallows of cool stops for resting.”
What a wonderful thing.
Thank you again Colin for sharing in that intimacy and thank you Patrick for illuminating what for me the true value..
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Thanks Pat, very much appreciated!
You are very welcome Patrick – Nice to hear from you
Always such a pleasure – and privilege – to share in your memories, Colin! Like no one else I’ve ever known, you have made of your singular life the most amazing intellectual and emotional chronicle. I await each new chapter (glob) with keen anticipation. Onward!!
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I absolutely concur Tom an incredible priviledge – Onward!
Nice to hear from you, as always, Pat! Hope all is well.
Thank you – Tom – All is well with me, and I hope for you too.
Tom – I missed this one too! I hope the last three essays ( as I’m going to call them from now on) are worth a read! Colin
For some inscrutable reason I don’t get an email notification when there’s a post here as I used to do. So I have to prompt myself to see what’s going on as I did this morning for a break from the continuing saga of UK ‘leadership’ elections. I do like this little congregation!
Me too. It’s like a small group of intrepid seekers.
Ah I see now – they still have my defunct email address. If I knew how to change that I would!
I don’t know if you see the same page as me,, but at the bottom there is a subscription options link – if you click on that it will take you to subscriptions management, then choose settings, and about half way down the page there isa subscribed email address, which you can alter and save.
If you don’t see the same as me, then I am clueless as to how to do it too!
I’ve changed something somewhere. It’s all too damned clever for words!
I too keep notebooks but they are more a sort of spiritual diary; I’ve quoted from them for a book I’m presently writing! Starting with the Buddha’s Cause of suffering being ego-centric craving, I wrote about how this manifests in my life (until I started on the Buddhist path.)
Looking forward to the book, Eric!
In January I released a new collection of Hillard and Botting’s exercises, which is a rather niche publication, I admit. Anyway, I was googling and came across your blogpost and thought I should add this footnote.
Thanks, Nigel! Hillard, Botting and I go back a very long way!